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	<title>Comments on: Cutting Up the Pie</title>
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		<title>By: rcottrill</title>
		<link>http://wordwisehymns.com/2009/12/23/cutting-up-the-pie/#comment-391</link>
		<dc:creator><![CDATA[rcottrill]]></dc:creator>
		<pubDate>Wed, 23 Dec 2009 18:37:04 +0000</pubDate>
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		<description><![CDATA[Wonderful! And I quite agree. I&#039;ve always encouraged the use of Wycliff for this hymn. There&#039;s a beautiful flow to the tune, superior to the repetitive melody by &lt;a href=&quot;Alleluia! sing to Jesus! His the scepter, His the throne. Alleluia! His the triumph, His the victory alone. Hark! the songs of peaceful Zion thunder like a mighty flood. Jesus out of every nation has redeemed us by His blood.&quot; rel=&quot;nofollow&quot;&gt;Asa Hull&lt;/a&gt;, a music publisher who wrote a number of hymn tunes in the 19th century.]]></description>
		<content:encoded><![CDATA[<p>Wonderful! And I quite agree. I&#8217;ve always encouraged the use of Wycliff for this hymn. There&#8217;s a beautiful flow to the tune, superior to the repetitive melody by <a href="Alleluia! sing to Jesus! His the scepter, His the throne. Alleluia! His the triumph, His the victory alone. Hark! the songs of peaceful Zion thunder like a mighty flood. Jesus out of every nation has redeemed us by His blood." rel="nofollow">Asa Hull</a>, a music publisher who wrote a number of hymn tunes in the 19th century.</p>
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		<title>By: Carol Blair</title>
		<link>http://wordwisehymns.com/2009/12/23/cutting-up-the-pie/#comment-390</link>
		<dc:creator><![CDATA[Carol Blair]]></dc:creator>
		<pubDate>Wed, 23 Dec 2009 18:20:27 +0000</pubDate>
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		<description><![CDATA[Here’s another example of how a different tune can immeasurably enhance the words of a hymn. 

I grew up singing “All for Jesus,” set to the “traditional” tune – author/tune name unknown; uses the refrain. Several years ago, after a move, I began attending a church that used a hymnal new to me: the Trinity Hymnal, 1990 edition. This hymnal contains “All for Jesus” set to the tune WYCLIFF, composed by John Stainer -- and the hymn was obviously a favorite in this church. Well, with this new tune, the hymn immediately became a favorite of mine, as well. Especially the fifth verse, which sometimes I write out on a small piece of paper and put in my pocket when I go to work. It’s a great comfort to me . . . 

O what wonder! how amazing! Jesus glorious King of kings; 
Deigns to call me His beloved, lets me rest beneath His wings. 

And from there my thoughts often go to Psalm 91, and then to the hymn “Under His Wings” . . .]]></description>
		<content:encoded><![CDATA[<p>Here’s another example of how a different tune can immeasurably enhance the words of a hymn. </p>
<p>I grew up singing “All for Jesus,” set to the “traditional” tune – author/tune name unknown; uses the refrain. Several years ago, after a move, I began attending a church that used a hymnal new to me: the Trinity Hymnal, 1990 edition. This hymnal contains “All for Jesus” set to the tune WYCLIFF, composed by John Stainer &#8212; and the hymn was obviously a favorite in this church. Well, with this new tune, the hymn immediately became a favorite of mine, as well. Especially the fifth verse, which sometimes I write out on a small piece of paper and put in my pocket when I go to work. It’s a great comfort to me . . . </p>
<p>O what wonder! how amazing! Jesus glorious King of kings;<br />
Deigns to call me His beloved, lets me rest beneath His wings. </p>
<p>And from there my thoughts often go to Psalm 91, and then to the hymn “Under His Wings” . . .</p>
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